Integrity of artistic image for composing an analysis of literary work
Consciousness can work as a psyche, plus the psyche being a consciousness. The prerequisites for artistic creativity, these sides are inseparably in principle as a basis. In technology, we count on a consciousness that operates with essences, wanting to expel thoughts and experiences. In art and literature, emotion contains thought, in thought – feeling. The image is a synthesis of awareness and psyche, thoughts and feelings.
What is the foundation for creative creativity in literary analysis?
This appears to be the true basis of artistic creativity, which is possible just because awareness and psyche, being autonomous spheres, have reached the time that is same linked. It really is impractical to lower the image to the basic idea(to your aim of the principles): we should distract ourselves from feelings. To lessen the image to direct experience way to „not notice“ the turnover of this psyche, being able to be fraught with thought.
Nevertheless, the integrity associated with image is not just a sensually sensed idea (concept). The image is certainly not yet an easy method associated with presence of simultaneously a few principles (a system of concepts). The image is basically multivalued, it simultaneously contains aspects that are several. Technology can not afford this. Ideas reduce an object (event) to 1 aspect, up to one moment, intentionally abstracting from others. Science explores phenomena analytically with subsequent synthesis, exercising all of the brief moments of interrelation. Art, but, believes with regards to the definitions. More over, the clear presence of the amount of meanings is a vital condition for the „life“ associated with artistic image. It is impractical to determine what may be the true meaning, what’s the „more important“ meaning.
Concept of artistic notion of literary work
Theoretically, creative content could be reduced to a clinical, to a logically developed system of concepts. However in training that is impossible, and it’s also not required. Our company is working with the abyss of meanings. Even within the issue of the appearance of new overtones that are semantic new deep definitions, about „self-production“ of meanings in traditional works. Since a work may be recognized towards the end only when the absolute rational unfolding of images is recognized, it may be argued that the data of a highly creative work is a process that is endless.
Therefore, the image is indecomposable. Its perception can only just be holistic: as a personal experience of idea, as a sensually observed essence. This is why the systematic analysis associated with the tasks are a „double relative“ cognition of creative integrity: besides that the inexhaustibility of definitions can not be paid off to a method, with such cognition, the adequate perception of feelings – empathy – is left out from the brackets.
The most complete perception of this aesthetic object is constantly multifaceted:
- method of integrity through clinical dialectical logic.